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Sean Wilkinson Photography

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  • Affinities
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    • About Affinities
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    • China
    • About China
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    • Dayton, Part One
    • About Dayton, Part One
  • Dayton Part Two
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    • Flora Part One
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    • About Norfolk Parish Churches
  • Six
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    • About Six
  • Sketches from Memory
    • Sketches from Memory
    • About Sketches from Memory
  • BIOGRAPHY
  • TEXTS
    • Writing About Other Photographers
      • Ansel Adams DAI 1994/2014
      • Clarence White 2016
      • Desert Cantos by Richard Misrach 1991
      • Don Anderson 1992
      • Doug Prince 1983
      • Harry Callahan 2010/2016
      • Ron Geibert 1992
      • Rule Without Exception by Lewis Baltz 1991
      • Serrano Mapplethorpe WSU 1990/2016
      • Texts from A Birthday with Presence 1989
    • Writing About Photography & Other Topics
      • Being Here: Graul Chair Installation Address
      • DVAC Talk 2007 rev 2015
      • Learning from Minor White
      • Notes on Place
      • Photographs Photography 1990 2016
      • Photography and Translation
      • Photography as Fiction
      • Relationships
      • Two Statements & Two Quotations
  • CONTACT

About Dayton, Parts 1 & 2

Dayton, Part 1 (1995 – 2004) & Part 2 (2016 – 2022)

I had been making pictures in Dayton for a few years before I realized that I was making pictures about Dayton. At which point I sought more deliberately to represent this place as it appeared and felt to me, as the quintessence of ordinariness. Dayton’s population has been dropping for decades, one industry after another has left town, the school system is in crisis, the opioid epidemic has been shattering, the downtown feels half empty on the busiest of days, and the usual register of the city is somewhere between melancholy and despair. At the same time, there is something sweet and worn, tender and likable about it. Dayton is so plain and real that you can hardly even imagine it’s worth noticing. In that way it is much like home, which is exactly what it long ago became for me. I am fond of the place in all its deep familiarity, and I am not at all interested in transcending this; I prefer to look closely, to embrace, and to marvel at it.

VIEW DAYTON, PART 1 PORTFOLIO

VIEW DAYTON, PART 2 PORTFOLIO

© 2025 Sean WilkinsonMINIMAL

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